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The Forger's Masterclass - Ep. 2 - Andre Derain
 
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Andre Derain's deceptively simple 'fauvist' style.
Views: 133783 TheArtyBartfast
Fauvism
 
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Concise overview of the Fauve style and why it is so colorful, focusing on the artists Henri Matisse and Andre Derain.
Views: 19319 Susan Euler
Andre Derain - Co-founder of Fauvism (Art)
 
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"André Derain--French painter, graphic artist, and designer. After studying in Paris at the Acadmie Carrire and Acadmie Julian, he developed his early style in association with his friends Maurice de Vlaminck and Henri Matisse; the three were the principal exponents of Fauvism. Their landscapes and figure studies featured brilliant colours, broken brushstrokes, and impulsive lines. By the 1920s, however, Derain had turned to the Neoclassical style ( Classicism and Neoclassicism). He produced numerous book illustrations and designs for stage sets, notably for Sergey Diaghilev's Ballets Russes."
Views: 11520 muziczone1
study in andre derain style
 
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this is an study in drain style using bold colors marks by Rm 2014 oils in sketch pad material masters class episode study I quite enjoyed the colors in this one a lot would have liked to see it on canvas some times im using just pads
Views: 9 richard mika
André Derain - French Painter of the Fauvist
 
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Andre Derain, French (1880 - 1954) Andre Derain was born in 1880 in Chatou, an artist colony outside Paris. In 1898, he enrolled in the Academie Carriere in Paris where he met Matisse. He attended art school and in 1900, set up a studio with Maurice deVlaminck. After his military service from 1900-1904, Derain exhibited his work at the Salon des Independants and then at the Salon d'Automne with Matisse, Vlaminck and others, thus creating the movement of Fauvism.He worked with Henri Matisse in 1905 at Collioure, and participated in the 1905 Salon d’Automne with Matisse, Vlaminck, and Braque, the exhibition in which this group was labeled as Fauves, or Wild Beasts. Along with Vlaminck, Derain was one of the first artists to collect the tribal art of Africa which was influential to many of the artists of the early 20th century. In 1906, Derain met Picasso and his dealer, who purchased Derain's entire studio, creating newfound financial success. During this time, he was hired for the illustrations for works by Guillaume Apollinaire and Andre Breton. After World War I, his friend's Cubism movement affected his art, along with influence from Classicism and African Art. Derain stayed in Paris during most of the Occupation, where he was esteemed by the Nazis because of his artistic integrity. Hitler's Foreign Minister commissioned him to paint a family portrait, but he politely refused. His popularity began to decline after the war because of disagreement over new artistic movements. He later lost most of his eyesight due to illness, which may have been the reason he was hit by a truck in 1954, dying from shock at the age of 74. Derain’s Fauve paintings are typically bright with intense color. Influenced by the work of Cézanne as well as the early Cubist paintings of Picasso and Braque’s, Derain’s style changed and by 1912, the paintings became more traditional and structured. For the remainder of his career, he continued to investigate different compositional methods including the perspective of Cézanne and the pointillism of Seurat. He also designed ballet sets and made a number of sculptures. At the turn of the century, Andre Derain exhibited at the radical Fauve Salon d’Automne (1905) and was one of the founding members of the Fauvist movement together with his life-long friends Matisse and Vlaminck. The works he produced in this period, often under the guidance of Matisse, have been counted among the masterpieces of Fauvism. From around 1918, Derain turned his back on the avant-garde and had begun to explore some of the more traditional genres of Western art, including landscapes. His main source of inspiration once the Fauves group had dispersed was found in the Louvre, where he admired the early Renaissance works in particular. Talking of his frequent visits there, he once said, ‘That seemed to me then, the true, pure absolute painting.’ His work evolved through many styles and, most significantly, turned back to the past, particularly after 1922 when Lenin had publicly pronounced his disdain for abstract art. Derain built up an immense and fascinating collection of paintings, sculpture and objets d’art throughout his life which aided his experimentation and was reflected in his work between 1930 and 1945. During these years, his painting technique displayed the most avenues of invention, using a repertoire of primitivist motifs. His eclectic collection was constantly changing. In 1930 he sold his African collection in exchange for bronzes of antiquity and the Renaissance which indicated a real change of interest in the objects, as did his later pursuit of Greek ceramic painting and his enthusiasm for grand cycles of literary and antique themes as the 1930s passed. Between 1947 and 1953 Derain focussed on landscape as subject matter. 'Paysage au bord de la mer', c.1948-50, is a beautifully bold piece that combines both traditional and modern influences. As a later landscape, it is structured with the premeditation and order that harks back to Cezanne and the idea that the painter has the privilege of imposing order upon nature. Derain especially liked to frame his views according to the light, when it seemed to soften the subject, evoking landscapes painted by Corot in the nineteenth century. The effect of this imposed framing is stunning in 'Paysage au bord de la mer', wherein the stark shadows and earthy tones of the foreground landscape are set against the bright light of the seascape behind.
Views: 11000 Tuen Tony Kwok
André Derain (1880-1954) A collection of paintings 2K Ultra HD Silent Slideshow
 
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André Derain (1880-1954) A collection of paintings 2K Ultra HD Silent Slideshow A French artist, painter, sculptor and co-founder of Fauvism with Henri Matisse Derain was born in 1880 in Chatou, Yvelines, Île-de-France, just outside Paris. In 1895 Derain began to study on his own, contrary to claims that meeting Vlaminck or Matisse began his efforts to paint, and occasionally went to the countryside with an old friend of Cézanne's, Father Jacomin along with his two sons. In 1898, while studying to be an engineer at the Académie Camillo, he attended painting classes under Eugène Carrière, and there met Matisse. In 1900, he met and shared a studio with Maurice de Vlaminck and together they began to paint scenes in the neighbourhood, but this was interrupted by military service at Commercy from September 1901 to 1904. Following his release from service, Matisse persuaded Derain's parents to allow him to abandon his engineering career and devote himself solely to painting; subsequently Derain attended the Académie Julian. Derain and Matisse worked together through the summer of 1905 in the Mediterranean village of Collioure and later that year displayed their highly innovative paintings at the Salon d'Automne. The vivid, unnatural colors led the critic Louis Vauxcelles to derisively dub their works as les Fauves, or "the wild beasts", marking the start of the Fauvist movement. In March 1906, the noted art dealer Ambroise Vollard sent Derain to London to produce a series of paintings with the city as subject. In 30 paintings (29 of which are still extant), Derain presented a portrait of London that was radically different from anything done by previous painters of the city such as Whistler or Monet. With bold colors and compositions, Derain painted multiple pictures of the Thames and Tower Bridge. These London paintings remain among his most popular work. Art critic T.G Rosenthal: "Not since Monet has anyone made London seem so fresh and yet remain quintessentially English. Some of his views of the Thames use the Pointillist technique of multiple dots, although by this time, because the dots have become much larger, it is rather more simply the separation of colours called Divisionism and it is peculiarly effective in conveying the fragmentation of colour in moving water in sunlight." André Derain, c.1908, Baigneuses (Esquisse), oil on canvas, 38 x 46 cm, Musée d'Art Moderne de la Ville de Paris In 1907 art dealer Daniel-Henry Kahnweiler purchased Derain's entire studio, granting Derain financial stability. He experimented with stone sculpture and moved to Montmartre to be near his friend Pablo Picasso and other noted artists. Fernande Olivier, Picasso's mistress at the time, described Derain as: Slim, elegant, with a lively colour and enamelled black hair. With an English chic, somewhat striking. Fancy waistcoats, ties in crude colours, red and green. Always a pipe in his mouth, phlegmatic, mocking, cold, an arguer. At Montmartre, Derain began to shift from the brilliant Fauvist palette to more muted tones, showing the influence of Cubism and Paul Cézanne. (According to Gertrude Stein, there is a tradition that Derain discovered and was influenced by African sculpture before the Cubists did.) Derain supplied woodcuts in primitivist style for an edition of Guillaume Apollinaire's first book of prose, L'enchanteur pourrissant (1909). He displayed works at the Neue Künstlervereinigung in Munich in 1910, in 1912 at the secessionist Der Blaue Reiter and in 1913 at the seminal Armory Show in New York. He also illustrated a collection of poems by Max Jacob in 1912.
Views: 275 Master Painters
Fauvism - Overview - Goodbye-Art Academy
 
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Created by Artist Phil Hansen. Text "studio" to 31996 to get updates from the studio.
Views: 218330 Philinthecircle
Anatomy of an Artwork: 'Bateaux à Collioure’ by André Derain
 
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Discover how André Derain used contrasting colours to capture the sun-drenched atmosphere of southern France in one his most accomplished Fauve landscapes. Learn More: http://www.sothebys.com/en/auctions/2018/impressionist-modern-art-evening-sale-l18002.html Download The Sotheby’s App:https://itunes.apple.com/us/app/sothe... FOR MORE NEWS FROM SOTHEBY’S Instagram: https://www.instagram.com/sothebys/ Facebook: https://www.facebook.com/sothebys Twitter: https://twitter.com/sothebys Pinterest: https://www.pinterest.com/ Weibo: www.weibo.com/sothebyshongkong WeChat: sothebyshongkong Snapchat: Sothebys
Views: 1114 Sotheby's
What Is Fauvism?
 
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What Is Fauvism?. Part of the series: Modern Art History. Fauvism was the first avant-garde art movement developed in the 20th century, and it was spearheaded by the French painter Henri Matisse, who was inspired by Vincent Van Gogh. Experience the fauvist point of view with information from an art historian, critic and curator in this free video on art. Read more: http://www.ehow.com/video_4755756_what-fauvism.html
Views: 11701 eHow
Paint Like... Matisse - Part One
 
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David Chandler's step-by-step guide to the painting style of Henri Matisse, the great twentieth century master of design and colour
Views: 4631 David Chandler
Andre Derain Mini-Gallery
 
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Andre Derain Mini-Gallery - created at http://animoto.com
Views: 36 Ebony Jennings
L'atelier d'André Derain
 
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Un parcours commenté dans l'exposition "L'atelier d'André Derain" du 27/10/2007 au 16/03/2008 aux Collections de Saint-Cyprien.
Views: 463 collectionsdestcyp
Homage to André Derain
 
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Views: 2285 alexeni777
André Derain -  French artist, painter, sculptor and co-founder of Fauvism with Henri Matisse
 
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for more famous painters go to www.mythragallery.com ------------------------------------------------ Derain was born in 1880 in Chatou, Yvelines, Île-de-France, just outside Paris. In 1895 Derain began to study on his own, contrary to claims that meeting Vlaminck or Matisse began his efforts to paint, and occasionally went to the countryside with an old friend of Cézanne's, Father Jacomin along with his two sons. In 1898, while studying to be an engineer at the Académie Camillo, he attended painting classes under Eugène Carrière, and there met Matisse. In 1900, he met and shared a studio with Maurice de Vlaminck and together they began to paint scenes in the neighbourhood, but this was interrupted by military service at Commercy from September 1901 to 1904. Following his release from service, Matisse persuaded Derain's parents to allow him to abandon his engineering career and devote himself solely to painting; subsequently Derain attended the Académie Julian. ------------------------------------------------- Contemporary art galleries are often established together in urban centers such as the Chelsea district of New York, widely considered to be the center of the American contemporary art world. Most large urban areas have several art galleries, and most towns will be home to at least one. However, they may also be found in small communities, and remote areas where artists congregate, e.g. the Taos art colony in New Mexico and St Ives, Cornwall; Hill End, Braidwood and Byron Bay in New South Wales Contemporary art galleries are usually free and open to the public, however some are semi-private, more exclusive, and by appointment only. ------------------------------------------------------- others videos from Mythra Gallery https://www.youtube.com/watch?v=weiD70TOT2E https://www.youtube.com/watch?v=y0LO5Lgl8QY https://www.youtube.com/watch?v=lYAD6fQedqI https://www.youtube.com/watch?v=9y2z56GJQh4 https://www.youtube.com/watch?v=6KT_ZnP4uQY ------------------------------------------------------- Abstract Expressionism American Figurative Expressionism Bay Area Figurative Movement Lyrical Abstraction New York Figurative Expressionism New York School Abstract expressionism American Figurative Expressionism Abstract Imagists Bay Area Figurative Movement Color field Computer art Conceptual art Fluxus Happenings Hard-edge painting Lyrical Abstraction Minimalism Neo-Dada New York School Nouveau Réalisme Op Art Performance art Pop Art Postminimalism Washington Color School Kinetic art Arte Povera Ascii Art Bad Painting Body art Artist's book Feminist art Installation art Land Art Lowbrow (art movement) Photorealism Postminimalism Process Art Video art Funk art Pattern and Decoration Appropriation art Culture jamming Demoscene Electronic art Figuration Libre Graffiti Art Live art Mail art Postmodern art Neo-conceptual art Neo-expressionism Neo-pop Sound art Transgressive art Transhumanist Art Video installation Institutional Critique Bio art Cyberarts Cynical Realism Digital Art Information art Internet art Massurrealism Maximalism New media art Software art New European Painting Young British Artists Digital Painting Classical realism Relational art Street art Stuckism Superflat Pseudorealism Videogame art Superstroke VJ art Virtual art Art Fashion ---------------------------------------- Mythra Art Gallery invites artists to present participate their art works- painting, photography, sculpture and video art- in its galleries . Visual Art Painting Art Exhibition + INDIVIDUAL EXHIBITION + GROUP EXHIBITION Expo Artist Drawing Opening Persian Art Iranian Painting Sculpture Workshop Call For Artist Photography Architect ----------------------------------------- Art Fashion (Art Fashion Designer) on Mythra Gallery + Online Shopping (Buy Art Online) http://mythragallery.com/shop/
Views: 1017 Mythra Gallery
Big Ben | André Derain | Exposition | Centre Pompidou
 
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Du 4 octobre 2017 au 29 janvier 2018 : André Derain 1904 - 1914, la décennie radicale Le Centre Pompidou porte un regard inédit sur cette décennie durant laquelle le peintre participe à l'éclosion du fauvisme et du cubisme. L'exposition revient sur toutes les expériences plastiques de l'artiste, figure magistrale de l'art du 20e siècle. Big Ben, 1906 Huile sur toile, 79 x 98 cm Musée d’Art moderne de Troyes http://bit.ly/derain-expo
Views: 1320 Centre Pompidou
Fauvist Art - Part 1 of 2
 
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Part 1 of a slideshow of significant Fauvist work, animated. Matisse, Gaugin, Vlaminck, Braque, Derain, Marquet and more. I just love the Fauves! Music is credited at the end and is Ravel's Introduction and Allegro for Harp, Flute, Clarinet and Strings.
Views: 69577 Máire McSorley
Musee D'Orangerie - André Derain
 
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My favorite
Views: 121 saucemagnusson
MS Paint Art History: André Derain - "Portrait of Matisse"
 
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Hang out with me as I paint a study of Andre Derain's Portrait of Matisse using just MS Paint and the computer's mouse ! :D Whoohoo ! The original painting is currently in the collection of the Tate Museum in London, along with its partner painting, Matisse's portrait of Derain. The two artists painted portraits of each other in Collioure in the south of France in 1905. These works are excellent examples of the art historical movement, fauvism! This experimental digital experience of honoring this work in a modern medium is set to music by The B-52s, Talking Heads and John Maus. If you enjoyed this video, please throw me a "like," and/or share on social media, and subscribe if you'd like to see more :D Thanks ! :) Music: The B-52s - "Cake" Talking Heads - "Mind" John Maus - "My Whole World's Coming Apart"
Views: 202 jessi lively
8 Painting Styles of Abstraction
 
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8 Different Painting Styles of Abstraction Pointillism is a technique of painting in which small, dots of pure color are applied in patterns to form an image. Georges Seurat developed the technique in 1886. The technique relies on the ability of the eye and mind of the viewer to blend the color spots into a fuller range of tones. The practice of Pointillism contrasts with the traditional methods of blending pigments on a palette. Pointillism is similar to the process used by printers, televisions and computer monitors to represent image in color. Vincent van Gogh's style was characterized by bold, dramatic brush strokes, which expressed emotion and added a feeling of movement to his works. Rather than using realistic colours, he often used paint straight from the tube and deliberately used colors to capture his moods. Fauvism is the style of les Fauves. Les Fauves is French for 'the wild beasts'. Fauvist style began around 1900 and continued beyond 1910. The leaders of the movement were Henri Matisse and André Derain. The paintings of the Fauves were characterized by wild brush work and bright colours. Their subject matter was abstracted and simplified. Fauvism can be classified as a development of Van Gogh's style fused with Pointillism. Expressionism originated in Germany at the beginning of the 20th century. Paintings in the expressionist style present the world from the artist's personal perspective through distorting figures and strong colours used for emotional effect in order to evoke moods. Expressionist artists sought to express meaning or experience sometimes suggestive of emotional angst. Cubism was pioneered by Picasso and Braque. The first Cubist exhibition happened in 1911 in Paris. In Cubist artwork, objects are broken up and reassembled in an abstracted form. Cubist paintings have flattened volume and subdued colours. Subjects of the painting are depicted from multiple viewpoints and confused perspectives which can make it difficult to distinguish objects from each other and from the space they inhabit. Futurism originated in Italy in the early 20th century and was founded by Filippo Tommaso Marinetti. It emphasized and glorified themes associated with concepts of the future, including speed, technology, youth and violence, and objects such as the car, the airplane and the industrial city. The Futurist painters developed a style by breaking color down into a field of stippled dots and stripes. Around 1913, David Bomberg was interested in Cubism. He wanted to create a new visual language to express his perceptions of the modern industrial city. He want to translate the life of a great city, its motion, its machinery, into an art based on simplified figure drawings. Bomberg superimposed a grid to break up the composition into geometric sections and used flat colours to obscure the original subject. His paintings have dynamic angular features. Suprematism was an art movement, focused on basic geometric forms, such as circles, squares, lines, and rectangles, painted in a limited range of colors. It was founded by Kazimir Malevich in Russia, in 1915. Suprematism is an art based upon pure artistic feeling expressed through geometric abstraction rather than on realistic visual depiction of objects. Subscribe to School of Yule for more Art Related Videos: http://www.youtube.com/user/SchoolofYule?sub_confirmation=1 website: schoolofyule.com Director: James Yule
Views: 11122 School of Yule
A rare painting of Derain exhibited in London
 
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A rare painting of French painter André Derain "Madame Matisse au kimono" is exhibited at Christie's, London, until April 6. It has not been shown to the public for several years. The painting will be auctioned in May in New York.Duration: 00:52
Views: 997 AFP news agency
André Derain- French artist, painter, sculptor- Founder of Fauvism-Towards a new classicism
 
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André Derain (French: [dəʁɛ̃]; 10 June 1880 – 8 September 1954) was a French artist, painter, sculptor and co-founder of Fauvism with Henri Matisse.Derain was born in 1880 in Chatou, Yvelines, Île-de-France, just outside Paris. In 1895 Derain began to study on his own, contrary to claims that meeting Vlaminck or Matisse began his efforts to paint, and occasionally went to the countryside with an old friend of Cézanne's, Father Jacomin along with his two sons. In 1898, while studying to be an engineer at the Académie Camillo,he attended painting classes under Eugène Carrière, and there met Matisse. In 1900, he met and shared a studio with Maurice de Vlaminck and together they began to paint scenes in the neighbourhood, but this was interrupted by military service at Commercy from September 1901 to 1904. Following his release from service, Matisse persuaded Derain's parents to allow him to abandon his engineering career and devote himself solely to painting; subsequently Derain attended the Académie Julian. Derain and Matisse worked together through the summer of 1905 in the Mediterranean village of Collioure and later that year displayed their highly innovative paintings at the Salon d'Automne. The vivid, unnatural colors led the critic Louis Vauxcelles to derisively dub their works as les Fauves, or "the wild beasts", marking the start of the Fauvist movement. In March 1906, the noted art dealer Ambroise Vollard sent Derain to London to produce a series of paintings with the city as subject. In 30 paintings (29 of which are still extant), Derain presented a portrait of London that was radically different from anything done by previous painters of the city such as Whistler or Monet. With bold colors and compositions, Derain painted multiple pictures of the Thames and Tower Bridge. These London paintings remain among his most popular work. Art critic T.G Rosenthal: "Not since Monet has anyone made London seem so fresh and yet remain quintessentially English. Some of his views of the Thames use the Pointillist technique of multiple dots, although by this time, because the dots have become much larger, it is rather more simply the separation of colours called Divisionism and it is peculiarly effective in conveying the fragmentation of colour in moving water in sunlight. Charing Cross Bridge, London, 1906, National Gallery of Art, Washington, D.C. In 1907 art dealer Daniel-Henry Kahnweiler purchased Derain's entire studio, granting Derain financial stability. He experimented with stone sculpture and moved to Montmartre to be near his friend Pablo Picasso and other noted artists. Fernande Olivier, Picasso's mistress at the time, described Derain. --------------------------------------------------------------------- for more information go to www.mythragallery.com ------------------------------------------------ Mythra Gallery was founded by professional group of artists and art patrons in 2015 as an alternative in the art category. Its name comes from Persian mythology( the god of light ). In Mythra Art gallery we present several generations of artists working; you will find international professional art works of different art styles and periods in our exhibitions. We believe it necessary to return aesthetics and reflection to daily life, and foster an ongoing dialogue with creativity, creations, and creators in general. We hope that our space will be a friendly meeting place for both artists and people interested in art.
Views: 2503 Mythra Gallery
Painting a Fauvist Landscape with Brush Strokes (part 5/7).mp4
 
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In this video student are learning the difference between passive parts of a painting (blending) and active parts of a painting textured brush strokes. We look at different Fauvist landscape paintings and discuss these differences and then work through a demonstration.
Views: 8934 mrlundgren1
Art Styles with Mrs. G: Fauvism
 
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Mrs. G gives an overview on the fauvist art style.
Views: 12517 PALCSTeachers
Andre Derain 安德列·德蘭 (1880-1954) Pointillism Fauvism Post-Impressionism French
 
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[email protected] André Derain, (born June 10, 1880, Chatou, France—died September 8, 1954, Garches), French painter, sculptor, printmaker, and designer who was one of the principal Fauvists. Derain studied painting in Paris at the Académie Carriere from 1898 to 1899. He developed his early style in association with Maurice de Vlaminck, whom he met in 1900, and with Henri Matisse, who had been Derain’s fellow student at the Académie Carriere. Together with these two painters, Derain was one of the major exponents of Fauvism from 1905 to 1908. Like the other artists who worked in this style, he painted landscapes and figure studies in brilliant, sometimes pure colours and used broken brushstrokes and impulsive lines to define his spontaneous compositions. Derain broke with Fauvism in 1908, when he was temporarily influenced by the works of the Post-Impressionist painter Paul Cézanne. Derain worked for a few years in a stylized form of Cubism, but by the 1920s his paintings of nudes, still lifes, and portraits had become increasingly Neoclassical, and the spontaneity and impulsiveness that had distinguished his earlier work gradually disappeared. His art underwent virtually no change after the 1920s, though his more conservative style brought him financial success. Derain had considerable ability as a decorator and created theatrical designs, notably for the Ballets Russes. He also produced numerous book illustrations, often in woodcut, for works by authors such as François Rabelais, Antonin Artaud, and André Breton. 安德列·德蘭(André Derain,1880年6月17日-1954年9月8日)是二十世紀初期的法國畫家。德蘭是二十世紀初期藝術革命的先驅之一,他和亨利·馬蒂斯一起創建了野獸派 。 安德列·德蘭 André Derain(1880年6月10日出生,法國Chatou,1954年9月8日去世,Garches),法國畫家,雕刻家,版畫家和設計師,他是野獸派的主要人物之一。 從1898年到1899年,他在巴黎的阿卡迪米·卡里爾學習繪畫。他在1900年與莫里斯·德·弗拉明克(Maurice de Vlaminck)和阿德里安·卡里耶(AcadémieCarriere)的同事亨利·馬蒂斯(Henri Matisse)與這兩位畫家一起,Derain是從1905年到1908年間野獸派的主要代表人物之一。與其他以這種風格工作的藝術家一樣,他以輝煌的,有時是純粹的色彩繪畫風景和人物研究,並使用破碎的筆觸和衝動的線條定義他的自發組合。 1908年德蘭與野獸派打交道,當時他受到了後印象主義畫家保羅·塞尚(PaulCézanne)的作品的暫時影響。德雷恩以立體主義的程式化形式工作了幾年,但到了20年代,他的裸體,靜物和肖像的繪畫已經變得越來越新古典,他早期作品的自發性和衝動逐漸消失。 20世紀20年代以後,他的藝術幾乎沒有任何變化,儘管他的保守風格讓他獲得了財務上的成功。 德蘭作為一名裝飾者俱有相當的能力,並創造了戲劇性的設計,特別是對於Ballets Russes。他還為弗朗索瓦·拉伯雷(François Rabelais),安東寧·阿爾托(Antonin Artaud)和安德烈·布雷頓(AndréBreton)等作家的作品製作了大量的木刻版畫插圖。 1905年,法國畫家安德烈·德蘭(AndréDerain)被他的藝術品經銷商Ambroise Vollard委託繪製倫敦的風景。 Derain在戶外設置他的畫架,並去工作。作為19世紀之交大型運動的一部分,倫敦橋(London Bridge)的景觀之一 - 倫敦橋(London Bridge)是泰晤士河上建造的幾座橋樑之一,通過新的建築項目和公共工程實現了城市中心的現代化。倫敦橋是在他兩個月的停留期間製作的約30幅畫作中的一幅,全部描繪了泰晤士河上或周圍的活動。 Derain的藝術品經銷商對倫敦的看法感興趣並不奇怪。十九世紀的倫敦,由於機械工業,尤其是鐵路建設,人口大幅增長(從1800年的100萬增加到600多萬)。德蘭看到了這些變化,並創造了倫敦的一幅肖像,與以前的城市畫家完全不同。藝術家後來回憶說:“野獸派是我們的火刑。 。 。那是攝影的時代。這可能影響了我們,也影響了我們對任何類似生活快照的反應。無論我們離開事物有多遠,都遠遠不夠。顏色成了炸藥的罪名。“
Views: 550 Tuen Tony Kwok
Master Copy of Andre' Durain's L'Estaque : Gouache Demo
 
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While preparing for a lesson I was going to teach about fauvism I decided to paint a quick master copy. I don't normally paint master copies, so it was very fun to get out of my normal style and create something I wouldn't normally think of.
Views: 5 Justin Perkins
Fauvism
 
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Fauvism is the style of les Fauves (French for "the wild beasts"), a loose group of early twentieth-century Modern artists whose works emphasized painterly qualities and strong color over the representational or realistic values retained by Impressionism. While Fauvism as a style began around 1900 and continued beyond 1910, the movement as such lasted only a few years, 1904–1908, and had three exhibitions. The leaders of the movement were Henri Matisse and André Derain. This video is targeted to blind users. Attribution: Article text available under CC-BY-SA Creative Commons image source in video
Views: 457 Audiopedia
Fauv-uary Drawing Challenge
 
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February is Fauv-uary - a tribute to fauvism! Using oil pastels, students will create colorful self portraits inspired by Matisse and Derain during the month of February.
Views: 139 MrsMelchionne
Maurice de Vlaminck: A collection of 466 works (HD)
 
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Maurice de Vlaminck: A collection of 466 works (HD) Description: "Maurice de Vlaminck (French, April 4, 1876–October 11, 1958) is recognized as one of the pioneer Fauvism painters in Europe, alongside his friends and influencers André Derain and Henri Matisse. Vlaminck began painting in his late teens, taking lessons from a local Parisian artist named Henri Rigalon. He also doubled up as a musician after his father taught him to play the violin at a young age; but his main interest was painting, especially after he met Derain by chance following a train accident in 1900. The two painters set up a studio in Paris together from 1900 to 1901. This was a major turning point in Vlaminck''''s style of painting, which took place after he saw Van Gogh''''s Post-Impressionist paintings exhibited in France. The powerful brush strokes and intense use of unnatural colors by Van Gogh soon became his trademark, as witnessed in one of his first exhibitions held in 1905 at the Salon des Indépendants, together with Derain and Matisse. One of Vlaminck''''s most popular paintings is the Remorqueur sur la Seine, Chatou (1906). This and other pieces that mainly consisted of primary color palettes prompted art critic Louis Vauxcelles to term the artists as Fauves (wild beasts) due to their unrestrained manner of painting, which was not common at the time. The artist traveled to London in 1911 and painted the River Thames, but returned to France during World War I, where he was stationed in Paris. His post-war paintings became more subdued, influenced by Paul Cézanne''''s work. The painter settled in Northwestern Paris and married a second wife, Berthe Combe, with whom he had two daughters. During this time, he wrote numerous poems and several novels, including autobiographies and songs. The artist also cycled along the Seine River for inspiration. His final works before his death in 1958 were mostly Post-Impressionist in nature, depicting rural scenes of his hometown in France." --- MUSIC: Kevin MacLeod - Drone in D Drone in D by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1200044 Artist: http://incompetech.com/ SUBSCRIBE: www.youtube.com/c/LearnFromMasters?sub_confirmation=1 Facebook: https://www.facebook.com/LearnFromMasters/ Instagram: https://www.instagram.com/learnfrommasters/ Contact: [email protected] SUPPORT MY WORK AT: https://www.patreon.com/LearnFromMasters LIST OF ARTISTS already posted on LearnFromMasters: https://goo.gl/hri4HE --- Thank you so much for your support! #LearnFromMasters #FrenchPainter #ImpressionistMovement #OnlineArtGallery #CollectionOfPaintings #ArtHistory #MauricedeVlaminck #TASCHEN
Views: 1427 LearnFromMasters
FAUVISTa Sailboats #360video #vr
 
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DO YOU DREAM WALKING INSIDE A PAINTING? Transpose yourself inside Andre Derain's "Boats at Collioure" painting! Visit the French port in 1905. Reconstructed painting in 3D with beautiful sea reflections and landscapes in Fauvist style. Walk around the place, enjoy vivid colors and live brushstrokes. A SHORT, SIMPLE, CONTEMPLATIVE EXPERIENCE FOR FINE ARTS LOVERS! A FUN WAY TO LEARN ART. Our purpose is to STIMULATE VISITING to Museums and art galleries. DOWNLOAD THE GAME: https://gigoiastudios.itch.io/fauvista OFFICIAL SITE: www.gigoiastudios.com Bags, Wall Art, Pillows, Mobile Case, T-Shirts: https://society6.com/gigoiastudios #andrederain #finearts #game #arteducation #art #interactive #museum #artgallery #fauvism #collioure #colliourefrance
Views: 5648 Gigoia Studios
2011 Schülerprojekt Audioguide Linie und Skulptur_# 06 André Derain, Le Jongleur.mp4
 
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Schülerprojekt: Audioguide zur Ausstellung "Linie und Skulptur im Dialog: Rodin, Giacometti, Modigliani...Werke aus der Sammlung Kasser/Mochary Family Fooundation", Stiftung Opelvillen Rüsselsheim, 9. November 2011 bis 5. Februar 2012. Autor: Jonathan Porz, copyright: Jonathan Porz/ Stiftung Opelvillen
Monet y Derain: Comparación
 
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Comparación de las obras "El puente de Charing Cross" de Monet y "El puente de Waterloo" de Derain.
Views: 451 Educa Thyssen
Fauvism
 
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Facebook Page: https://www.facebook.com/laurentcousineauwebsite (Please like and share!) Please visit my website: http://www.climate-change-guide.com Music: "Georgiana" and "Can't Slow Down" by Jean-Yves Thibaudet. Here are some fauvistic paintings from Henri Matisse and André Derain
Views: 10898 Laurent Cousineau
The Forger's Masterclass - Ep. 03 - Vincent Van Gogh
 
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Myatt's three students have to paint self portraits using the vibrant brush strokes of Van Gogh.
Views: 327994 TheArtyBartfast
Les Fauves, Property from an Important American Collection
 
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Vibrant masterpieces by Maurice de Vlaminck and André Dérain are amongst the key highlights of Sotheby’s Impressionist & Modern Art Evening sale on 9 May 2016.
Views: 1312 Sotheby's
Henri Matisse (1869 - 1954) - Part III - A collection of paintings from 1903 to 1904.
 
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Henri Matisse (1869 - 1954) - Part III - A collection of paintings from 1903 to 1904. Henri Matisse (1869 - 1954) - Part III - A collection of paintings from from 1903 to 1904. Henri Matisse a leader of the Fauvism and a master of the expressive language of colour and drawing. Henri Émile Benoît Matisse (31 December 1869 – 3 November 1954) was a French artist, known for both his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter. Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts throughout the opening decades of the twentieth century, responsible for significant developments in painting and sculpture. Along with Picasso, Matisse helped to define and influence radical contemporary art in the 20th century. Although he was initially labelled a Fauve (wild beast), by the 1920s he was increasingly hailed as an upholder of the classical tradition in French painting. His mastery of the expressive language of colour and drawing, displayed in a body of work spanning over a half-century, won him recognition as a leading figure in modern art. Fauvism as a style began around 1900 and continued beyond 1910. The movement as such lasted only a few years, 1904–1908, and had three exhibitions. The leaders of the movement were Matisse and André Derain. Matisse's first solo exhibition was at Ambroise Vollard's gallery in 1904, without much success. His fondness for bright and expressive colour became more pronounced after he spent the summer of 1904 painting in St. Tropez with the neo-Impressionists Signac and Henri-Edmond Cross. In that year he painted the most important of his works in the neo-Impressionist style, Luxe, Calme et Volupté. In 1905 he travelled southwards again to work with André Derain at Collioure. His paintings of this period are characterised by flat shapes and controlled lines, using pointillism in a less rigorous way than before. Matisse and a group of artists now known as "Fauves" exhibited together in a room at the Salon d'Automne in 1905. The paintings expressed emotion with wild, often dissonant colours, without regard for the subject's natural colours. Matisse showed Open Window and Woman with the Hat at the Salon. Critic Louis Vauxcelles described the work with the phrase "Donatello parmi les fauves!" (Donatello among the wild beasts), referring to a Renaissance-type sculpture that shared the room with them. His comment was printed on 17 October 1905 in Gil Blas, a daily newspaper, and passed into popular usage. The exhibition garnered harsh criticism—"A pot of paint has been flung in the face of the public", said the critic Camille Mauclair—but also some favourable attention. When the painting that was singled out for special condemnation, Matisse's Woman with a Hat, was bought by Gertrude and Leo Stein, the embattled artist's morale improved considerably. Les toits de Collioure, 1905, oil on canvas, The Hermitage, St. Petersburg, Russia Matisse was recognised as a leader of the Fauves, along with André Derain; the two were friendly rivals, each with his own followers. Other members were Georges Braque, Raoul Dufy, and Maurice de Vlaminck. The Symbolist painter Gustave Moreau (1826–1898) was the movement's inspirational teacher. As a professor at the École des Beaux-Arts in Paris, he pushed his students to think outside of the lines of formality and to follow their visions. In 1907 Guillaume Apollinaire, commenting about Matisse in an article published in La Falange, wrote, "We are not here in the presence of an extravagant or an extremist undertaking: Matisse's art is eminently reasonable." But Matisse's work of the time also encountered vehement criticism, and it was difficult for him to provide for his family. His painting Nu bleu (1907) was burned in effigy at the Armory Show in Chicago in 1913. Test: https://en.wikipedia.org/wiki/Henri_Matisse https://www.wikiart.org/es/henri-matisse Musics: Blue Danube (by Strauss) 9:26 Strauss Clásica | Dramática Puedes usar esta canción en cualquiera de tus vídeos. Waltz of the Flowers (by Tchaikovsky) 6:54 Tchaikovsky Clásica | Positiva Puedes usar esta canción en cualquiera de tus vídeos.
Henri Matisse (1869 - 1954) - Part II   - A collection of paintings from 1899   to 1902.
 
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Henri Matisse (1869 - 1954) - Part II -A collection of paintings from 1899 to 1902. Henri Matisse a leader of the Fauvism. Henri Émile Benoît Matisse (31 December 1869 – 3 November 1954) was a French artist, known for both his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter. Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts throughout the opening decades of the twentieth century, responsible for significant developments in painting and sculpture. Along with Picasso, Matisse helped to define and influence radical contemporary art in the 20th century. Although he was initially labelled a Fauve (wild beast), by the 1920s he was increasingly hailed as an upholder of the classical tradition in French painting. His mastery of the expressive language of colour and drawing, displayed in a body of work spanning over a half-century, won him recognition as a leading figure in modern art. Fauvism as a style began around 1900 and continued beyond 1910. The movement as such lasted only a few years, 1904–1908, and had three exhibitions. The leaders of the movement were Matisse and André Derain. Matisse's first solo exhibition was at Ambroise Vollard's gallery in 1904, without much success. His fondness for bright and expressive colour became more pronounced after he spent the summer of 1904 painting in St. Tropez with the neo-Impressionists Signac and Henri-Edmond Cross. In that year he painted the most important of his works in the neo-Impressionist style, Luxe, Calme et Volupté. In 1905 he travelled southwards again to work with André Derain at Collioure. His paintings of this period are characterised by flat shapes and controlled lines, using pointillism in a less rigorous way than before. Matisse and a group of artists now known as "Fauves" exhibited together in a room at the Salon d'Automne in 1905. The paintings expressed emotion with wild, often dissonant colours, without regard for the subject's natural colours. Matisse showed Open Window and Woman with the Hat at the Salon. Critic Louis Vauxcelles described the work with the phrase "Donatello parmi les fauves!" (Donatello among the wild beasts), referring to a Renaissance-type sculpture that shared the room with them. His comment was printed on 17 October 1905 in Gil Blas, a daily newspaper, and passed into popular usage. The exhibition garnered harsh criticism—"A pot of paint has been flung in the face of the public", said the critic Camille Mauclair—but also some favourable attention. When the painting that was singled out for special condemnation, Matisse's Woman with a Hat, was bought by Gertrude and Leo Stein, the embattled artist's morale improved considerably. Les toits de Collioure, 1905, oil on canvas, The Hermitage, St. Petersburg, Russia Matisse was recognised as a leader of the Fauves, along with André Derain; the two were friendly rivals, each with his own followers. Other members were Georges Braque, Raoul Dufy, and Maurice de Vlaminck. The Symbolist painter Gustave Moreau (1826–1898) was the movement's inspirational teacher. As a professor at the École des Beaux-Arts in Paris, he pushed his students to think outside of the lines of formality and to follow their visions. In 1907 Guillaume Apollinaire, commenting about Matisse in an article published in La Falange, wrote, "We are not here in the presence of an extravagant or an extremist undertaking: Matisse's art is eminently reasonable." But Matisse's work of the time also encountered vehement criticism, and it was difficult for him to provide for his family. His painting Nu bleu (1907) was burned in effigy at the Armory Show in Chicago in 1913. Test: https://en.wikipedia.org/wiki/Henri_Matisse https://www.wikiart.org/es/henri-matisse Music: 1812 Overture (by Tchaikosvky) 16:24 Tchaikovsky Clásica | Dramática Puedes usar esta canción en cualquiera de tus vídeos.
Henri Matisse (1869 - 1954) - Part XV   - A collection of works painted in   1922.
 
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Henri Matisse (1869 - 1954) - Part XV - A collection of works painted in 1922. Henri Matisse a leader of the Fauvism and a master of the expressive language of colour and drawing. Henri Émile Benoît Matisse (31 December 1869 – 3 November 1954) was a French artist, known for both his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter. Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts throughout the opening decades of the twentieth century, responsible for significant developments in painting and sculpture. Along with Picasso, Matisse helped to define and influence radical contemporary art in the 20th century. Although he was initially labelled a Fauve (wild beast), by the 1920s he was increasingly hailed as an upholder of the classical tradition in French painting. His mastery of the expressive language of colour and drawing, displayed in a body of work spanning over a half-century, won him recognition as a leading figure in modern art. Fauvism as a style began around 1900 and continued beyond 1910. The movement as such lasted only a few years, 1904–1908, and had three exhibitions. The leaders of the movement were Matisse and André Derain. Matisse's first solo exhibition was at Ambroise Vollard's gallery in 1904, without much success. His fondness for bright and expressive colour became more pronounced after he spent the summer of 1904 painting in St. Tropez with the neo-Impressionists Signac and Henri-Edmond Cross. In that year he painted the most important of his works in the neo-Impressionist style, Luxe, Calme et Volupté. In 1905 he travelled southwards again to work with André Derain at Collioure. His paintings of this period are characterised by flat shapes and controlled lines, using pointillism in a less rigorous way than before. Matisse and a group of artists now known as "Fauves" exhibited together in a room at the Salon d'Automne in 1905. The paintings expressed emotion with wild, often dissonant colours, without regard for the subject's natural colours. Matisse showed Open Window and Woman with the Hat at the Salon. Critic Louis Vauxcelles described the work with the phrase "Donatello parmi les fauves!" (Donatello among the wild beasts), referring to a Renaissance-type sculpture that shared the room with them. His comment was printed on 17 October 1905 in Gil Blas, a daily newspaper, and passed into popular usage. The exhibition garnered harsh criticism—"A pot of paint has been flung in the face of the public", said the critic Camille Mauclair—but also some favourable attention. When the painting that was singled out for special condemnation, Matisse's Woman with a Hat, was bought by Gertrude and Leo Stein, the embattled artist's morale improved considerably. Les toits de Collioure, 1905, oil on canvas, The Hermitage, St. Petersburg, Russia, Matisse was recognised as a leader of the Fauves, along with André Derain; the two were friendly rivals, each with his own followers. Other members were Georges Braque, Raoul Dufy, and Maurice de Vlaminck. The Symbolist painter Gustave Moreau (1826–1898) was the movement's inspirational teacher. As a professor at the École des Beaux-Arts in Paris, he pushed his students to think outside of the lines of formality and to follow their visions. In 1907 Guillaume Apollinaire, commenting about Matisse in an article published in La Falange, wrote, "We are not here in the presence of an extravagant or an extremist undertaking: Matisse's art is eminently reasonable." But Matisse's work of the time also encountered vehement criticism, and it was difficult for him to provide for his family. His painting Nu bleu (1907) was burned in effigy at the Armory Show in Chicago in 1913. Test: https://en.wikipedia.org/wiki/Henri_Matisse https://www.wikiart.org/es/henri-matisse Musics: Blue Danube (by Strauss) 9:26 Strauss Clásica | Dramática Puedes usar esta canción en cualquiera de tus vídeos. Nemesis 2:13 ALBIS Cinematográfico | Dramática Puedes usar esta canción en cualquiera de tus vídeos. FairyTale Waltz 1:39 Kevin MacLeod Infantil | Triste Puedes usar esta canción en cualquiera de tus vídeos, pero debes incluir el siguiente texto en la descripción: FairyTale Waltz de Kevin MacLeod está sujeta a una licencia de Creative Commons Attribution (https://creativecommons.org/licenses/by/4.0/) Fuente: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100232 Artista: http://incompetech.com/
Henri Matisse (1869 - 1954) - Part XIX   - A collection of paintings from 1927   to 1928.
 
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Henri Matisse (1869 - 1954) - Part XIX - A collection of paintings from 1927 to 1928. Henri Matisse a leader of the Fauvism and a master of the expressive language of colour and drawing. Henri Émile Benoît Matisse (31 December 1869 – 3 November 1954) was a French artist, known for both his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter. Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts throughout the opening decades of the twentieth century, responsible for significant developments in painting and sculpture. Along with Picasso, Matisse helped to define and influence radical contemporary art in the 20th century. Although he was initially labelled a Fauve (wild beast), by the 1920s he was increasingly hailed as an upholder of the classical tradition in French painting. His mastery of the expressive language of colour and drawing, displayed in a body of work spanning over a half-century, won him recognition as a leading figure in modern art. Fauvism as a style began around 1900 and continued beyond 1910. The movement as such lasted only a few years, 1904–1908, and had three exhibitions. The leaders of the movement were Matisse and André Derain. Matisse's first solo exhibition was at Ambroise Vollard's gallery in 1904, without much success. His fondness for bright and expressive colour became more pronounced after he spent the summer of 1904 painting in St. Tropez with the neo-Impressionists Signac and Henri-Edmond Cross. In that year he painted the most important of his works in the neo-Impressionist style, Luxe, Calme et Volupté. In 1905 he travelled southwards again to work with André Derain at Collioure. His paintings of this period are characterised by flat shapes and controlled lines, using pointillism in a less rigorous way than before. Matisse and a group of artists now known as "Fauves" exhibited together in a room at the Salon d'Automne in 1905. The paintings expressed emotion with wild, often dissonant colours, without regard for the subject's natural colours. Matisse showed Open Window and Woman with the Hat at the Salon. Critic Louis Vauxcelles described the work with the phrase "Donatello parmi les fauves!" (Donatello among the wild beasts), referring to a Renaissance-type sculpture that shared the room with them. His comment was printed on 17 October 1905 in Gil Blas, a daily newspaper, and passed into popular usage. The exhibition garnered harsh criticism—"A pot of paint has been flung in the face of the public", said the critic Camille Mauclair—but also some favourable attention. When the painting that was singled out for special condemnation, Matisse's Woman with a Hat, was bought by Gertrude and Leo Stein, the embattled artist's morale improved considerably. Les toits de Collioure, 1905, oil on canvas, The Hermitage, St. Petersburg, Russia. Matisse was recognised as a leader of the Fauves, along with André Derain; the two were friendly rivals, each with his own followers. Other members were Georges Braque, Raoul Dufy, and Maurice de Vlaminck. The Symbolist painter Gustave Moreau (1826–1898) was the movement's inspirational teacher. As a professor at the École des Beaux-Arts in Paris, he pushed his students to think outside of the lines of formality and to follow their visions. In 1907 Guillaume Apollinaire, commenting about Matisse in an article published in La Falange, wrote, "We are not here in the presence of an extravagant or an extremist undertaking: Matisse's art is eminently reasonable." But Matisse's work of the time also encountered vehement criticism, and it was difficult for him to provide for his family. His painting Nu bleu (1907) was burned in effigy at the Armory Show in Chicago in 1913. Test: https://en.wikipedia.org/wiki/Henri_Matisse https://www.wikiart.org/es/henri-matisse Musics: Blue Danube (by Strauss) 9:26 Strauss Clásica | Dramática Puedes usar esta canción en cualquiera de tus vídeos. Nemesis 2:13 ALBIS Cinematográfico | Dramática Puedes usar esta canción en cualquiera de tus vídeos.
Henri Matisse (1869 - 1954) - Part   XXIV - A collection of paintings from   1943 to 1944.
 
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Henri Matisse (1869 - 1954) - Part XXIV - A collection of paintings from 1943 to 1944. Henri Matisse a leader of the Fauvism and a master of the expressive language of colour and drawing. Henri Émile Benoît Matisse (31 December 1869 – 3 November 1954) was a French artist, known for both his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter. Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts throughout the opening decades of the twentieth century, responsible for significant developments in painting and sculpture. Along with Picasso, Matisse helped to define and influence radical contemporary art in the 20th century. Although he was initially labelled a Fauve (wild beast), by the 1920s he was increasingly hailed as an upholder of the classical tradition in French painting. His mastery of the expressive language of colour and drawing, displayed in a body of work spanning over a half-century, won him recognition as a leading figure in modern art. Fauvism as a style began around 1900 and continued beyond 1910. The movement as such lasted only a few years, 1904–1908, and had three exhibitions. The leaders of the movement were Matisse and André Derain. Matisse's first solo exhibition was at Ambroise Vollard's gallery in 1904, without much success. His fondness for bright and expressive colour became more pronounced after he spent the summer of 1904 painting in St. Tropez with the neo-Impressionists Signac and Henri-Edmond Cross. In that year he painted the most important of his works in the neo-Impressionist style, Luxe, Calme et Volupté. In 1905 he travelled southwards again to work with André Derain at Collioure. His paintings of this period are characterised by flat shapes and controlled lines, using pointillism in a less rigorous way than before. Matisse and a group of artists now known as "Fauves" exhibited together in a room at the Salon d'Automne in 1905. The paintings expressed emotion with wild, often dissonant colours, without regard for the subject's natural colours. Matisse showed Open Window and Woman with the Hat at the Salon. Critic Louis Vauxcelles described the work with the phrase "Donatello parmi les fauves!" (Donatello among the wild beasts), referring to a Renaissance-type sculpture that shared the room with them. His comment was printed on 17 October 1905 in Gil Blas, a daily newspaper, and passed into popular usage. The exhibition garnered harsh criticism—"A pot of paint has been flung in the face of the public", said the critic Camille Mauclair—but also some favourable attention. When the painting that was singled out for special condemnation, Matisse's Woman with a Hat, was bought by Gertrude and Leo Stein, the embattled artist's morale improved considerably. Les toits de Collioure, 1905, oil on canvas, The Hermitage, St. Petersburg, Russia. Matisse was recognised as a leader of the Fauves, along with André Derain; the two were friendly rivals, each with his own followers. Other members were Georges Braque, Raoul Dufy, and Maurice de Vlaminck. The Symbolist painter Gustave Moreau (1826–1898) was the movement's inspirational teacher. As a professor at the École des Beaux-Arts in Paris, he pushed his students to think outside of the lines of formality and to follow their visions. In 1907 Guillaume Apollinaire, commenting about Matisse in an article published in La Falange, wrote, "We are not here in the presence of an extravagant or an extremist undertaking: Matisse's art is eminently reasonable." But Matisse's work of the time also encountered vehement criticism, and it was difficult for him to provide for his family. His painting Nu bleu (1907) was burned in effigy at the Armory Show in Chicago in 1913. Test: https://en.wikipedia.org/wiki/Henri_Matisse https://www.wikiart.org/es/henri-matisse Musics: Blue Danube (by Strauss) 9:26 Strauss Clásica | Dramática Puedes usar esta canción en cualquiera de tus vídeos. Nemesis 2:13 ALBIS Cinematográfico | Dramática Puedes usar esta canción en cualquiera de tus vídeos. FairyTale Waltz 1:39 Kevin MacLeod Infantil | Triste Puedes usar esta canción en cualquiera de tus vídeos, pero debes incluir el siguiente texto en la descripción: FairyTale Waltz de Kevin MacLeod está sujeta a una licencia de Creative Commons Attribution (https://creativecommons.org/licenses/by/4.0/) Fuente: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100232 Artista: http://incompetech.com/
Henri Matisse (1869 - 1954) - Part XXI   - A collection of paintings from 1937   to 1938.
 
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Henri Matisse (1869 - 1954) - Part XXI - A collection of paintings from 1937 to 1938. Henri Matisse a leader of the Fauvism and a master of the expressive language of colour and drawing. Henri Émile Benoît Matisse (31 December 1869 – 3 November 1954) was a French artist, known for both his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter. Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts throughout the opening decades of the twentieth century, responsible for significant developments in painting and sculpture. Along with Picasso, Matisse helped to define and influence radical contemporary art in the 20th century. Although he was initially labelled a Fauve (wild beast), by the 1920s he was increasingly hailed as an upholder of the classical tradition in French painting. His mastery of the expressive language of colour and drawing, displayed in a body of work spanning over a half-century, won him recognition as a leading figure in modern art. Fauvism as a style began around 1900 and continued beyond 1910. The movement as such lasted only a few years, 1904–1908, and had three exhibitions. The leaders of the movement were Matisse and André Derain. Matisse's first solo exhibition was at Ambroise Vollard's gallery in 1904, without much success. His fondness for bright and expressive colour became more pronounced after he spent the summer of 1904 painting in St. Tropez with the neo-Impressionists Signac and Henri-Edmond Cross. In that year he painted the most important of his works in the neo-Impressionist style, Luxe, Calme et Volupté. In 1905 he travelled southwards again to work with André Derain at Collioure. His paintings of this period are characterised by flat shapes and controlled lines, using pointillism in a less rigorous way than before. Matisse and a group of artists now known as "Fauves" exhibited together in a room at the Salon d'Automne in 1905. The paintings expressed emotion with wild, often dissonant colours, without regard for the subject's natural colours. Matisse showed Open Window and Woman with the Hat at the Salon. Critic Louis Vauxcelles described the work with the phrase "Donatello parmi les fauves!" (Donatello among the wild beasts), referring to a Renaissance-type sculpture that shared the room with them. His comment was printed on 17 October 1905 in Gil Blas, a daily newspaper, and passed into popular usage. The exhibition garnered harsh criticism—"A pot of paint has been flung in the face of the public", said the critic Camille Mauclair—but also some favourable attention. When the painting that was singled out for special condemnation, Matisse's Woman with a Hat, was bought by Gertrude and Leo Stein, the embattled artist's morale improved considerably. Les toits de Collioure, 1905, oil on canvas, The Hermitage, St. Petersburg, Russia. Matisse was recognised as a leader of the Fauves, along with André Derain; the two were friendly rivals, each with his own followers. Other members were Georges Braque, Raoul Dufy, and Maurice de Vlaminck. The Symbolist painter Gustave Moreau (1826–1898) was the movement's inspirational teacher. As a professor at the École des Beaux-Arts in Paris, he pushed his students to think outside of the lines of formality and to follow their visions. In 1907 Guillaume Apollinaire, commenting about Matisse in an article published in La Falange, wrote, "We are not here in the presence of an extravagant or an extremist undertaking: Matisse's art is eminently reasonable." But Matisse's work of the time also encountered vehement criticism, and it was difficult for him to provide for his family. His painting Nu bleu (1907) was burned in effigy at the Armory Show in Chicago in 1913. Test: https://en.wikipedia.org/wiki/Henri_Matisse https://www.wikiart.org/es/henri-matisse Music: Blue Danube (by Strauss) 9:26 Strauss Clásica | Dramática Puedes usar esta canción en cualquiera de tus vídeos.
Henri Matisse (1869 - 1954) - Part XI   - A collection of works painted in   1918.
 
12:39
Henri Émile Benoît Matisse (31 December 1869 – 3 November 1954) was a French artist, known for both his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter. Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts throughout the opening decades of the twentieth century, responsible for significant developments in painting and sculpture. Along with Picasso, Matisse helped to define and influence radical contemporary art in the 20th century. Although he was initially labelled a Fauve (wild beast), by the 1920s he was increasingly hailed as an upholder of the classical tradition in French painting. His mastery of the expressive language of colour and drawing, displayed in a body of work spanning over a half-century, won him recognition as a leading figure in modern art. Fauvism as a style began around 1900 and continued beyond 1910. The movement as such lasted only a few years, 1904–1908, and had three exhibitions. The leaders of the movement were Matisse and André Derain. Matisse's first solo exhibition was at Ambroise Vollard's gallery in 1904, without much success. His fondness for bright and expressive colour became more pronounced after he spent the summer of 1904 painting in St. Tropez with the neo-Impressionists Signac and Henri-Edmond Cross. In that year he painted the most important of his works in the neo-Impressionist style, Luxe, Calme et Volupté. In 1905 he travelled southwards again to work with André Derain at Collioure. His paintings of this period are characterised by flat shapes and controlled lines, using pointillism in a less rigorous way than before. Matisse and a group of artists now known as "Fauves" exhibited together in a room at the Salon d'Automne in 1905. The paintings expressed emotion with wild, often dissonant colours, without regard for the subject's natural colours. Matisse showed Open Window and Woman with the Hat at the Salon. Critic Louis Vauxcelles described the work with the phrase "Donatello parmi les fauves!" (Donatello among the wild beasts), referring to a Renaissance-type sculpture that shared the room with them. His comment was printed on 17 October 1905 in Gil Blas, a daily newspaper, and passed into popular usage. The exhibition garnered harsh criticism—"A pot of paint has been flung in the face of the public", said the critic Camille Mauclair—but also some favourable attention. When the painting that was singled out for special condemnation, Matisse's Woman with a Hat, was bought by Gertrude and Leo Stein, the embattled artist's morale improved considerably. Les toits de Collioure, 1905, oil on canvas, The Hermitage, St. Petersburg, Russia Matisse was recognised as a leader of the Fauves, along with André Derain; the two were friendly rivals, each with his own followers. Other members were Georges Braque, Raoul Dufy, and Maurice de Vlaminck. The Symbolist painter Gustave Moreau (1826–1898) was the movement's inspirational teacher. As a professor at the École des Beaux-Arts in Paris, he pushed his students to think outside of the lines of formality and to follow their visions. In 1907 Guillaume Apollinaire, commenting about Matisse in an article published in La Falange, wrote, "We are not here in the presence of an extravagant or an extremist undertaking: Matisse's art is eminently reasonable." But Matisse's work of the time also encountered vehement criticism, and it was difficult for him to provide for his family. His painting Nu bleu (1907) was burned in effigy at the Armory Show in Chicago in 1913. Test: https://en.wikipedia.org/wiki/Henri_Matisse https://www.wikiart.org/es/henri-matisse Musics: Blue Danube (by Strauss) 9:26 Strauss Clásica | Dramática Puedes usar esta canción en cualquiera de tus vídeos. Nemesis 2:13 ALBIS Cinematográfico | Dramática Puedes usar esta canción en cualquiera de tus vídeos. FairyTale Waltz 1:39 Kevin MacLeod Infantil | Triste Puedes usar esta canción en cualquiera de tus vídeos, pero debes incluir el siguiente texto en la descripción: FairyTale Waltz de Kevin MacLeod está sujeta a una licencia de Creative Commons Attribution (https://creativecommons.org/licenses/by/4.0/) Fuente: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100232 Artista: http://incompetech.com/
Henri Matisse (1869 - 1954) - Part VII   - A collection of paintings from 1911   to 1912.
 
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Henri Matisse (1869 - 1954) - Part VI - A collection of paintings from 1911 to 1912. Henri Matisse a leader of the Fauvism and a master of the expressive language of colour and drawing. Henri Émile Benoît Matisse (31 December 1869 – 3 November 1954) was a French artist, known for both his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter. Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts throughout the opening decades of the twentieth century, responsible for significant developments in painting and sculpture. Along with Picasso, Matisse helped to define and influence radical contemporary art in the 20th century. Although he was initially labelled a Fauve (wild beast), by the 1920s he was increasingly hailed as an upholder of the classical tradition in French painting. His mastery of the expressive language of colour and drawing, displayed in a body of work spanning over a half-century, won him recognition as a leading figure in modern art. Fauvism as a style began around 1900 and continued beyond 1910. The movement as such lasted only a few years, 1904–1908, and had three exhibitions. The leaders of the movement were Matisse and André Derain. Matisse's first solo exhibition was at Ambroise Vollard's gallery in 1904, without much success. His fondness for bright and expressive colour became more pronounced after he spent the summer of 1904 painting in St. Tropez with the neo-Impressionists Signac and Henri-Edmond Cross. In that year he painted the most important of his works in the neo-Impressionist style, Luxe, Calme et Volupté. In 1905 he travelled southwards again to work with André Derain at Collioure. His paintings of this period are characterised by flat shapes and controlled lines, using pointillism in a less rigorous way than before. Matisse and a group of artists now known as "Fauves" exhibited together in a room at the Salon d'Automne in 1905. The paintings expressed emotion with wild, often dissonant colours, without regard for the subject's natural colours. Matisse showed Open Window and Woman with the Hat at the Salon. Critic Louis Vauxcelles described the work with the phrase "Donatello parmi les fauves!" (Donatello among the wild beasts), referring to a Renaissance-type sculpture that shared the room with them. His comment was printed on 17 October 1905 in Gil Blas, a daily newspaper, and passed into popular usage. The exhibition garnered harsh criticism—"A pot of paint has been flung in the face of the public", said the critic Camille Mauclair—but also some favourable attention. When the painting that was singled out for special condemnation, Matisse's Woman with a Hat, was bought by Gertrude and Leo Stein, the embattled artist's morale improved considerably. Les toits de Collioure, 1905, oil on canvas, The Hermitage, St. Petersburg, Russia. Matisse was recognised as a leader of the Fauves, along with André Derain; the two were friendly rivals, each with his own followers. Other members were Georges Braque, Raoul Dufy, and Maurice de Vlaminck. The Symbolist painter Gustave Moreau (1826–1898) was the movement's inspirational teacher. As a professor at the École des Beaux-Arts in Paris, he pushed his students to think outside of the lines of formality and to follow their visions. In 1907 Guillaume Apollinaire, commenting about Matisse in an article published in La Falange, wrote, "We are not here in the presence of an extravagant or an extremist undertaking: Matisse's art is eminently reasonable." But Matisse's work of the time also encountered vehement criticism, and it was difficult for him to provide for his family. His painting Nu bleu (1907) was burned in effigy at the Armory Show in Chicago in 1913. Test: https://en.wikipedia.org/wiki/Henri_Matisse https://www.wikiart.org/es/henri-matisse Music: Brandenburg Concerto No4-1 BWV1049 - Classical Whimsical 7:17 Kevin MacLeod Clásica | Feliz Puedes usar esta canción en cualquiera de tus vídeos, pero debes incluir el siguiente texto en la descripción: Brandenburg Concerto No4-1 BWV1049 - Classical Whimsical de Kevin MacLeod está sujeta a una licencia de Creative Commons Attribution (https://creativecommons.org/licenses/by/4.0/) Fuente: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100303 Artista: http://incompetech.com/
Fauvism
 
26:05
Breanna Lopez, Tianna Woods, Alexis Salinas
Views: 3682 breanna lopez
Henri Matisse (1869 - 1954) - Part XX   - A collection of paintings from 1929   to 1936.
 
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Henri Matisse (1869 - 1954) - Part XX - A collection of paintings from 1929 to 1936. Henri Matisse a leader of the Fauvism and a master of the expressive language of colour and drawing. Henri Émile Benoît Matisse (31 December 1869 – 3 November 1954) was a French artist, known for both his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter. Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts throughout the opening decades of the twentieth century, responsible for significant developments in painting and sculpture. Along with Picasso, Matisse helped to define and influence radical contemporary art in the 20th century. Although he was initially labelled a Fauve (wild beast), by the 1920s he was increasingly hailed as an upholder of the classical tradition in French painting. His mastery of the expressive language of colour and drawing, displayed in a body of work spanning over a half-century, won him recognition as a leading figure in modern art. Fauvism as a style began around 1900 and continued beyond 1910. The movement as such lasted only a few years, 1904–1908, and had three exhibitions. The leaders of the movement were Matisse and André Derain. Matisse's first solo exhibition was at Ambroise Vollard's gallery in 1904, without much success. His fondness for bright and expressive colour became more pronounced after he spent the summer of 1904 painting in St. Tropez with the neo-Impressionists Signac and Henri-Edmond Cross. In that year he painted the most important of his works in the neo-Impressionist style, Luxe, Calme et Volupté. In 1905 he travelled southwards again to work with André Derain at Collioure. His paintings of this period are characterised by flat shapes and controlled lines, using pointillism in a less rigorous way than before. Matisse and a group of artists now known as "Fauves" exhibited together in a room at the Salon d'Automne in 1905. The paintings expressed emotion with wild, often dissonant colours, without regard for the subject's natural colours. Matisse showed Open Window and Woman with the Hat at the Salon. Critic Louis Vauxcelles described the work with the phrase "Donatello parmi les fauves!" (Donatello among the wild beasts), referring to a Renaissance-type sculpture that shared the room with them. His comment was printed on 17 October 1905 in Gil Blas, a daily newspaper, and passed into popular usage. The exhibition garnered harsh criticism—"A pot of paint has been flung in the face of the public", said the critic Camille Mauclair—but also some favourable attention. When the painting that was singled out for special condemnation, Matisse's Woman with a Hat, was bought by Gertrude and Leo Stein, the embattled artist's morale improved considerably. Les toits de Collioure, 1905, oil on canvas, The Hermitage, St. Petersburg, Russia. Matisse was recognised as a leader of the Fauves, along with André Derain; the two were friendly rivals, each with his own followers. Other members were Georges Braque, Raoul Dufy, and Maurice de Vlaminck. The Symbolist painter Gustave Moreau (1826–1898) was the movement's inspirational teacher. As a professor at the École des Beaux-Arts in Paris, he pushed his students to think outside of the lines of formality and to follow their visions. In 1907 Guillaume Apollinaire, commenting about Matisse in an article published in La Falange, wrote, "We are not here in the presence of an extravagant or an extremist undertaking: Matisse's art is eminently reasonable." But Matisse's work of the time also encountered vehement criticism, and it was difficult for him to provide for his family. His painting Nu bleu (1907) was burned in effigy at the Armory Show in Chicago in 1913. Test: https://en.wikipedia.org/wiki/Henri_Matisse https://www.wikiart.org/es/henri-matisse Musics: Brandenburg Concerto No4-1 BWV1049 - Classical Whimsical 7:17 Kevin MacLeod Clásica | Feliz Puedes usar esta canción en cualquiera de tus vídeos, pero debes incluir el siguiente texto en la descripción: Brandenburg Concerto No4-1 BWV1049 - Classical Whimsical de Kevin MacLeod está sujeta a una licencia de Creative Commons Attribution (https://creativecommons.org/licenses/by/4.0/) Fuente: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100303 Artista: http://incompetech.com/ Waltz of the Flowers (by Tchaikovsky) 6:54 Tchaikovsky Clásica | Positiva Puedes usar esta canción en cualquiera de tus vídeos.
Henri Matisse (1869 - 1954) - Part V - A collection of paintings from 1907 to 1908.
 
19:07
Henri Matisse (1869 - 1954) - Part IV - A collection of paintings from from 1907 to 1908. Henri Matisse a leader of the Fauvism and a master of the expressive language of colour and drawing. Henri Émile Benoît Matisse (31 December 1869 – 3 November 1954) was a French artist, known for both his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter. Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts throughout the opening decades of the twentieth century, responsible for significant developments in painting and sculpture. Along with Picasso, Matisse helped to define and influence radical contemporary art in the 20th century. Although he was initially labelled a Fauve (wild beast), by the 1920s he was increasingly hailed as an upholder of the classical tradition in French painting. His mastery of the expressive language of colour and drawing, displayed in a body of work spanning over a half-century, won him recognition as a leading figure in modern art. Fauvism as a style began around 1900 and continued beyond 1910. The movement as such lasted only a few years, 1904–1908, and had three exhibitions. The leaders of the movement were Matisse and André Derain. Matisse's first solo exhibition was at Ambroise Vollard's gallery in 1904, without much success. His fondness for bright and expressive colour became more pronounced after he spent the summer of 1904 painting in St. Tropez with the neo-Impressionists Signac and Henri-Edmond Cross. In that year he painted the most important of his works in the neo-Impressionist style, Luxe, Calme et Volupté. In 1905 he travelled southwards again to work with André Derain at Collioure. His paintings of this period are characterised by flat shapes and controlled lines, using pointillism in a less rigorous way than before. Matisse and a group of artists now known as "Fauves" exhibited together in a room at the Salon d'Automne in 1905. The paintings expressed emotion with wild, often dissonant colours, without regard for the subject's natural colours. Matisse showed Open Window and Woman with the Hat at the Salon. Critic Louis Vauxcelles described the work with the phrase "Donatello parmi les fauves!" (Donatello among the wild beasts), referring to a Renaissance-type sculpture that shared the room with them. His comment was printed on 17 October 1905 in Gil Blas, a daily newspaper, and passed into popular usage. The exhibition garnered harsh criticism—"A pot of paint has been flung in the face of the public", said the critic Camille Mauclair—but also some favourable attention. When the painting that was singled out for special condemnation, Matisse's Woman with a Hat, was bought by Gertrude and Leo Stein, the embattled artist's morale improved considerably. Les toits de Collioure, 1905, oil on canvas, The Hermitage, St. Petersburg, Russia. Matisse was recognised as a leader of the Fauves, along with André Derain; the two were friendly rivals, each with his own followers. Other members were Georges Braque, Raoul Dufy, and Maurice de Vlaminck. The Symbolist painter Gustave Moreau (1826–1898) was the movement's inspirational teacher. As a professor at the École des Beaux-Arts in Paris, he pushed his students to think outside of the lines of formality and to follow their visions. In 1907 Guillaume Apollinaire, commenting about Matisse in an article published in La Falange, wrote, "We are not here in the presence of an extravagant or an extremist undertaking: Matisse's art is eminently reasonable." But Matisse's work of the time also encountered vehement criticism, and it was difficult for him to provide for his family. His painting Nu bleu (1907) was burned in effigy at the Armory Show in Chicago in 1913. Test: https://en.wikipedia.org/wiki/Henri_Matisse https://www.wikiart.org/es/henri-matisse Musics: 1812 Overture (by Tchaikosvky) 16:24 Tchaikovsky Clásica | Dramática Puedes usar esta canción en cualquiera de tus vídeos. Nemesis 2:13 ALBIS Cinematográfico | Dramática Puedes usar esta canción en cualquiera de tus vídeos. FairyTale Waltz 1:39 Kevin MacLeod Infantil | Triste Puedes usar esta canción en cualquiera de tus vídeos, pero debes incluir el siguiente texto en la descripción: FairyTale Waltz de Kevin MacLeod está sujeta a una licencia de Creative Commons Attribution (https://creativecommons.org/licenses/by/4.0/) Fuente: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100232 Artista: http://incompetech.com/
Henri Matisse (1869 - 1954) - Part   XVII - A collection of works painted   in 1924.
 
13:42
Henri Matisse (1869 - 1954) - Part XVII - A collection of works painted in 1924. Henri Matisse (1869 - 1954) - Part XVII - A collection of works painted in 1924. Henri Matisse a leader of the Fauvism and a master of the expressive language of colour and drawing. Henri Émile Benoît Matisse (31 December 1869 – 3 November 1954) was a French artist, known for both his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter. Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts throughout the opening decades of the twentieth century, responsible for significant developments in painting and sculpture. Along with Picasso, Matisse helped to define and influence radical contemporary art in the 20th century. Although he was initially labelled a Fauve (wild beast), by the 1920s he was increasingly hailed as an upholder of the classical tradition in French painting. His mastery of the expressive language of colour and drawing, displayed in a body of work spanning over a half-century, won him recognition as a leading figure in modern art. Fauvism as a style began around 1900 and continued beyond 1910. The movement as such lasted only a few years, 1904–1908, and had three exhibitions. The leaders of the movement were Matisse and André Derain. Matisse's first solo exhibition was at Ambroise Vollard's gallery in 1904, without much success. His fondness for bright and expressive colour became more pronounced after he spent the summer of 1904 painting in St. Tropez with the neo-Impressionists Signac and Henri-Edmond Cross. In that year he painted the most important of his works in the neo-Impressionist style, Luxe, Calme et Volupté. In 1905 he travelled southwards again to work with André Derain at Collioure. His paintings of this period are characterised by flat shapes and controlled lines, using pointillism in a less rigorous way than before. Matisse and a group of artists now known as "Fauves" exhibited together in a room at the Salon d'Automne in 1905. The paintings expressed emotion with wild, often dissonant colours, without regard for the subject's natural colours. Matisse showed Open Window and Woman with the Hat at the Salon. Critic Louis Vauxcelles described the work with the phrase "Donatello parmi les fauves!" (Donatello among the wild beasts), referring to a Renaissance-type sculpture that shared the room with them. His comment was printed on 17 October 1905 in Gil Blas, a daily newspaper, and passed into popular usage. The exhibition garnered harsh criticism—"A pot of paint has been flung in the face of the public", said the critic Camille Mauclair—but also some favourable attention. When the painting that was singled out for special condemnation, Matisse's Woman with a Hat, was bought by Gertrude and Leo Stein, the embattled artist's morale improved considerably. Les toits de Collioure, 1905, oil on canvas, The Hermitage, St. Petersburg, Russia. Matisse was recognised as a leader of the Fauves, along with André Derain; the two were friendly rivals, each with his own followers. Other members were Georges Braque, Raoul Dufy, and Maurice de Vlaminck. The Symbolist painter Gustave Moreau (1826–1898) was the movement's inspirational teacher. As a professor at the École des Beaux-Arts in Paris, he pushed his students to think outside of the lines of formality and to follow their visions. In 1907 Guillaume Apollinaire, commenting about Matisse in an article published in La Falange, wrote, "We are not here in the presence of an extravagant or an extremist undertaking: Matisse's art is eminently reasonable." But Matisse's work of the time also encountered vehement criticism, and it was difficult for him to provide for his family. His painting Nu bleu (1907) was burned in effigy at the Armory Show in Chicago in 1913. Test: https://en.wikipedia.org/wiki/Henri_Matisse https://www.wikiart.org/es/henri-matisse Musics: Blue Danube (by Strauss) 9:26 Strauss Clásica | Dramática Puedes usar esta canción en cualquiera de tus vídeos. Nemesis 2:13 ALBIS Cinematográfico | Dramática Puedes usar esta canción en cualquiera de tus vídeos. FairyTale Waltz 1:39 Kevin MacLeod Infantil | Triste Puedes usar esta canción en cualquiera de tus vídeos, pero debes incluir el siguiente texto en la descripción: FairyTale Waltz de Kevin MacLeod está sujeta a una licencia de Creative Commons Attribution (https://creativecommons.org/licenses/by/4.0/) Fuente: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100232 Artista: http://incompetech.com/
Henri Matisse (1869 - 1954) - Part X -   A collection of works painted in 1917.
 
14:05
Henri Matisse (1869 - 1954) - Part X - A collection of works painted in 1917. Henri Matisse a leader of the Fauvism and a master of the expressive language of colour and drawing. Henri Émile Benoît Matisse (31 December 1869 – 3 November 1954) was a French artist, known for both his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter. Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts throughout the opening decades of the twentieth century, responsible for significant developments in painting and sculpture. Along with Picasso, Matisse helped to define and influence radical contemporary art in the 20th century. Although he was initially labelled a Fauve (wild beast), by the 1920s he was increasingly hailed as an upholder of the classical tradition in French painting. His mastery of the expressive language of colour and drawing, displayed in a body of work spanning over a half-century, won him recognition as a leading figure in modern art. Fauvism as a style began around 1900 and continued beyond 1910. The movement as such lasted only a few years, 1904–1908, and had three exhibitions. The leaders of the movement were Matisse and André Derain. Matisse's first solo exhibition was at Ambroise Vollard's gallery in 1904, without much success. His fondness for bright and expressive colour became more pronounced after he spent the summer of 1904 painting in St. Tropez with the neo-Impressionists Signac and Henri-Edmond Cross. In that year he painted the most important of his works in the neo-Impressionist style, Luxe, Calme et Volupté. In 1905 he travelled southwards again to work with André Derain at Collioure. His paintings of this period are characterised by flat shapes and controlled lines, using pointillism in a less rigorous way than before. Matisse and a group of artists now known as "Fauves" exhibited together in a room at the Salon d'Automne in 1905. The paintings expressed emotion with wild, often dissonant colours, without regard for the subject's natural colours. Matisse showed Open Window and Woman with the Hat at the Salon. Critic Louis Vauxcelles described the work with the phrase "Donatello parmi les fauves!" (Donatello among the wild beasts), referring to a Renaissance-type sculpture that shared the room with them. His comment was printed on 17 October 1905 in Gil Blas, a daily newspaper, and passed into popular usage. The exhibition garnered harsh criticism—"A pot of paint has been flung in the face of the public", said the critic Camille Mauclair—but also some favourable attention. When the painting that was singled out for special condemnation, Matisse's Woman with a Hat, was bought by Gertrude and Leo Stein, the embattled artist's morale improved considerably. Les toits de Collioure, 1905, oil on canvas, The Hermitage, St. Petersburg, Russia Matisse was recognised as a leader of the Fauves, along with André Derain; the two were friendly rivals, each with his own followers. Other members were Georges Braque, Raoul Dufy, and Maurice de Vlaminck. The Symbolist painter Gustave Moreau (1826–1898) was the movement's inspirational teacher. As a professor at the École des Beaux-Arts in Paris, he pushed his students to think outside of the lines of formality and to follow their visions. In 1907 Guillaume Apollinaire, commenting about Matisse in an article published in La Falange, wrote, "We are not here in the presence of an extravagant or an extremist undertaking: Matisse's art is eminently reasonable." But Matisse's work of the time also encountered vehement criticism, and it was difficult for him to provide for his family. His painting Nu bleu (1907) was burned in effigy at the Armory Show in Chicago in 1913. Test: https://en.wikipedia.org/wiki/Henri_Matisse https://www.wikiart.org/es/henri-matisse Music: 1812 Overture (by Tchaikosvky) 16:24 Tchaikovsky Clásica | Dramática Puedes usar esta canción en cualquiera de tus vídeos
Learn Art Styles with Lisa: Fauvism to Nonfigurative  [Preview]
 
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To purchase: http://www.crystalproductions.com/ProductDesc.aspx?code=CP5572&type=0&eq=&desc=Learn-Art-Styles-with-Lisa%3a-Fauvism%2fNon&key=it (Available on DVD) Provides an overview of eight important art styles from Fauvism to Nonfigurative Art. Twentythree works are presented by a young adult, Lisa, who draws attention to the elements and principles of design as well as the important details that are seen in closeups of the artworks. Full video is 20 minutes.
Views: 1116 Crystal Productions